 "In Olga Scheps Russian Album she excellently captures the emotion of 
melancholy, magically showcases sadness and being reserved. You can feel
 the emotion of slight world pain and the suffering of the soul, like at
 the beginning of Mili Balakirevs “Au Jardin” (…). Once the main subject
 of the play  Glinkas/Balakirevs “Lerche” comes into play your ears will
 widen: Sorrow, and the emotion of saying goodbye is felt throughout her
 mastery of playing the piano, without being old-fashioned. A 
Schepstrademark is her way of playing Rachmaninows g-Moll-Prelude: 
Effortless, also not showcasing her true capabilities she goes through 
this prelude. Overall a great Cover of the matter, being focused on 
presenting the play in its true fashion, which is not being boasting and
 a certain reservedness." (Fono Forum)
"In Olga Scheps Russian Album she excellently captures the emotion of 
melancholy, magically showcases sadness and being reserved. You can feel
 the emotion of slight world pain and the suffering of the soul, like at
 the beginning of Mili Balakirevs “Au Jardin” (…). Once the main subject
 of the play  Glinkas/Balakirevs “Lerche” comes into play your ears will
 widen: Sorrow, and the emotion of saying goodbye is felt throughout her
 mastery of playing the piano, without being old-fashioned. A 
Schepstrademark is her way of playing Rachmaninows g-Moll-Prelude: 
Effortless, also not showcasing her true capabilities she goes through 
this prelude. Overall a great Cover of the matter, being focused on 
presenting the play in its true fashion, which is not being boasting and
 a certain reservedness." (Fono Forum)
"Scheps shows masterfully how to present the emotions of 
sadness and pain in her Russian album. The tears will be following her 
play, that’s what is the result of her mastery. Her album is a well-put 
program that opens up many doors of emotion. (NDR online)
 
 
 
 
 
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