 Hélène Grimaud’s latest album for Deutsche Grammophon, produced by Nitin
 Sawhney, was inspired by her abiding fascination with Nature’s most 
precious gift. Water is set for worldwide 
release on January 29, 2016 and conveys imaginative responses to 
everything from mighty oceans and great lakes to raindrops and 
snowflakes as well as inviting listeners to contemplate the mounting 
threats to the safety, security and supply of this essential resource.
 Hélène Grimaud’s latest album for Deutsche Grammophon, produced by Nitin
 Sawhney, was inspired by her abiding fascination with Nature’s most 
precious gift. Water is set for worldwide 
release on January 29, 2016 and conveys imaginative responses to 
everything from mighty oceans and great lakes to raindrops and 
snowflakes as well as inviting listeners to contemplate the mounting 
threats to the safety, security and supply of this essential resource.
“What inspired the idea to record this album is really the 
fascination that so many composers of the 19th and 20th centuries seem 
to have had with the element of water,” Grimaud states. Not only did 
this sow the seed for a recording, it also grew into a collaboration 
between the pianist and Turner Prize-winning artist Douglas Gordon. 
Their site-specific installation tears become… streams become… was created for the Wade Thompson Drill Hall at New York’s Park Avenue Armory in December 2014. Described by the New York Times as
 a “compelling, boldly original work”, the project blended elements of 
art, music and architecture, with Grimaud’s water-themed programme 
located at its core. Gordon transformed the cavernous Drill Hall by 
slowly flooding its vast floor to create the impression of what he 
described as an endless “field of water,” entirely surrounding the grand
 piano at which Grimaud performed.
The album features works by nine composers: it opens with Berio’s Wasserklavier and includes Takemitsu’s Rain Tree Sketch II, Fauré’s Barcarolle No.5, Ravel’s Jeux d’eau, “Almería” from Albéniz’s Iberia, Liszt’s Les Jeux d’eau à la Villa d’Este and the first movement of Janáček’s In the Mists, before closing with Debussy’s La cathédrale engloutie.
 These myriad reflections on the qualities of water were recorded live 
at the Armory during the installation and then connected and woven into 
the album narrative by seven “Transitions” that were newly composed, 
recorded and produced by Sawhney. Grimaud was delighted to work with the
 award-winning composer, DJ and multi-instrumentalist, praising his 
ability to highlight “the universal human dependence on our planet’s 
most precious resource” and weave “contrasting poetic and philosophical 
perspectives into a single, cogent musical ecosystem.”
Each piece on this new album unfolds as part of an acoustic “stream”,
 carefully structured in its blend of classical and contemporary 
compositions, yet experimental in its overall aesthetic.
Hélène Grimaud is not only one of the world’s most celebrated 
pianists, but also a tireless champion of ecological causes, having 
founded the Wolf Conservation Center, which raises awareness of the 
importance and relationship of these top predators to our ecosystem. 
With Water, the insightful Grimaud has united her twin passions for music and the environment in unique fashion.
 
 
 
 
 
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