Audite's 2013 double-SACD of Johannes Brahms' complete works for clarinet is an attractive presentation of the artistry of Laura Ruiz Ferreres, one of the Europe's leading clarinetists. Ruiz Ferreres is accompanied by pianist Christoph Berner in the Clarinet Sonatas No. 1 and No. 2, Op. 120, and she also joins Berner and cellist Danjulo Ishizaka in the Trio in A minor, Op. 114; for the Quintet in B minor, Op. 115, she performs with the Mandelring Quartet. Ruiz Ferreres'
polished technique and limpid tone are brilliantly showcased in these
audiophile recordings, and while she naturally comes to the foreground
as the soloist in the two sonatas, she is on equal terms with her
partners in the trio and the quintet. Shifting easily between carrying
the melodic line and being one voice among others, Ruiz Ferreres
always puts herself at the service of the music and never forces her
presence. Thanks to the remarkable details, textures, and dimensions of
the super audio format, there's no need for her to compete with the
other musicians, because the reproduction captures all the instruments
with credible tone colors and a good sense of their placement, though
some passages seem to be a bit soft and recessed. Fans of Brahms'
late chamber music will appreciate the clarinet's warmth, the burnished
tone of the strings, and the introspective mood of the interpretations. (Blair Sanderson)Audite's 2013 double-SACD of Johannes Brahms' complete works for clarinet is an attractive presentation of the artistry of Laura Ruiz Ferreres, one of the Europe's leading clarinetists. Ruiz Ferreres is accompanied by pianist Christoph Berner in the Clarinet Sonatas No. 1 and No. 2, Op. 120, and she also joins Berner and cellist Danjulo Ishizaka in the Trio in A minor, Op. 114; for the Quintet in B minor, Op. 115, she performs with the Mandelring Quartet. Ruiz Ferreres'
polished technique and limpid tone are brilliantly showcased in these
audiophile recordings, and while she naturally comes to the foreground
as the soloist in the two sonatas, she is on equal terms with her
partners in the trio and the quintet. Shifting easily between carrying
the melodic line and being one voice among others, Ruiz Ferreres
always puts herself at the service of the music and never forces her
presence. Thanks to the remarkable details, textures, and dimensions of
the super audio format, there's no need for her to compete with the
other musicians, because the reproduction captures all the instruments
with credible tone colors and a good sense of their placement, though
some passages seem to be a bit soft and recessed. Fans of Brahms'
late chamber music will appreciate the clarinet's warmth, the burnished
tone of the strings, and the introspective mood of the interpretations. (Blair Sanderson)
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