
You could hardly quibble at the technical brilliance he brings to the music, ‘Summer’ being an example of his left-hand alacrity as he drives tempos forwards at a breathless pace. Then, just when you expect rhythms to be highly stressed in the finale of ‘Autumn’, the performance becomes soft-grained. For my library I would always opt for safety with the excellent Andrew Manze and the Amsterdam Baroque Orchestra (Warner), but with the 15 members of Double Sens playing with admirable unity, Radulović certainly captures the attention.
Aleksandar Sedlar’s Spring in Japan portrays the great earthquake and tsunami in March 2011, and the work moves from the sounds of popular music to suggest the agony of the event. A smaller string group, The Devil’s Trills, ably conjures up the appropriate sounds. Up-front recorded balance gives suitable priority to Radulović. (David Denton)
Comentarios
Publicar un comentario