
Leonard Bernstein (1918-1990) was a man of many
roles – composer, conductor, pianist, musical educator – a man hailed by
pianist Arthur Rubinstein as a “universal genius”. A charismatic
communicator, he had few equals when it came to enthusing others about
music. Whether at festivals such as Tanglewood in the US or
Schleswig-Holstein in northern Germany, in a TV studio or in a
university lecture hall, Bernstein’s presence, passion and unquestioned
commitment to his art were palpable.
That same intensity also characterised his work as a
performer. A number of his recordings still have reference status – his
Mahler cycle, for instance, or Gershwin’s Rhapsody in Blue with
Bernstein himself at the piano. The son of a Ukrainian immigrant, he
knew no musical boundaries: he played jazz, engaged with Jewish folk
traditions, and was as at home on Broadway as he was in Europe’s venerable opera houses. In his own music seriousness stands cheek by
jowl with satire, musical with Mass, the modern with the traditional.
His reinterpretation of Beethoven’s Ninth as an “Ode to Freedom” in
Berlin, shortly after the fall of the Berlin Wall, was simply
unforgettable. Less than a year later, he died of cancer.
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