
With
Unfolding Debussy, Baranova has created so much more than a simple
homage to one of the greatest composers of the 19th and 20th Centuries.
Since Marina Baranova first played Clair de Lune as an eager
nine-year-old, a question had stayed with her: Was there another side to
Debussy’s music, one influenced by his turbulent private life and
tempestuous relationships? “You have this creation that has perfect
form, but I was always interested in exploring the folds and the cracks;
in looking inside, to see how it works. So I decided to unfold the
music to discover these deeper meanings.”
To emulate the richness
of Debussy’s original compositions, Baranova sought a broader palette
and different textures. “Every instrument has its own colour,” she says,
and so a number of different pianos and keyboards were employed to help
to weave her magic. An Una Corda, a Fender Rhodes, midi keyboards and a
C. Bechstein grand piano.
Nearly a hundred years after his death,
Unfolding Debussy hopes to inspire a new generation of music lovers and
ensure that his sensory majesty is not lost to the drifting sands of
time. Even after allt his time, the cultural titan can still conjure a
million colours in the mind.
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