Since 2004, Andreas Haefliger has been devising a series of recital
programmes named Perspectives, presenting them in concert and on disc.
Each programme focusses on one or two Beethoven sonatas, juxtaposed with
works by other composers
(ranging from Mozart to Berio) which in some way or other interact with
Beethoven’s music, and with each other. The seventh instalment in the
series was premièred at the Edinburgh Festival in 2017, and was
described by one reviewer as ‘Inspiringly commanding, thoughtful, lucid
and sheerly beautiful’ (The Herald, Glasgow).
Perspectives 7 opens with Alban Berg’s Piano Sonata, Op. 1, a highly
concentrated work in which most of the music can be traced back to the
two opening gestures. This is followed by Liszt’s impressionistic
Légende No. 1 ‘St. Francis of Assisi: The Sermon to the Birds’, in which
we seem to hear a flock of birds chirp warble and sing. At the core of
the programme is Beethoven’s Op. 101 Sonata – a work which in
Haefliger’s opinion points more clearly towards Schumann than any other
of the composer’s sonatas. But the grand finale of this amply-filled
disc (86 minutes!) is nevertheless a highly colourful and expressive
performance of Mussorgsky’s Pictures from an Exhibition, recorded – as
is the entire disc – in the exceptional acoustics of the Mozartsaal of
the Vienna Konzerthaus.
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