Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso
flute, have already led us along the roads of Ireland and Scotland,
notably the High Road to Kilkenny (ALPHA 234), a great success in 2016.
This time, they venture into England with an essentially secular
programme devoted to Henry Purcell (1659-95), varying the mood by
alternating between instrumental dances and songs performed by the
English countertenor Tim Mead, including ‘O Solitude’ and ‘What power
art thou’. While Les Musiciens de Saint-Julien have chosen these
celebrated pieces for pleasure above all, with this English programme
they also fill in a new piece in their jigsaw map of the United Kingdom.
At the same time, they demonstrate the musical porosity of Ireland,
Scotland and England – and the atypical colours of the small string
ensemble complemented by two flutes, a harp and harpsichord/lute
continuo further underline the fact. The common thread, dear to Les Musiciens de Saint-Julien, is that of folk music lying at the heart of
art music, in a mixture of origins, practices and repertories. We can
easily recognise ‘Scotch and Irish tunes’ that Purcell incorporates in
his overtures, jigs, hornpipes and chaconnes. The countertenor Tim Mead
punctuates the dances with songs composed for the operatic or dramatic
stage or for chamber performance.
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