The 24-year-old Franco-Spanish classical guitarist Thibaut Garcia’s
third recording – his second for Erato – revisits the music of Bach and
Latin America. But where the first, ‘Demain dès l’aube’, included Bach’s
Sixth Partita, BWV830, and the second, ‘Leyendas’, Piazzolla’s Estaciones Porteñas,
‘Bach Inspirations’, as its title suggests, focuses on Bach’s influence
on subsequent composers, not just from Latin America but also from
Poland and the Balkans.
In his flowing, pellucid interpretations Garcia himself seems
to be inspired by Bach’s name, and throughout much of the programme
there’s a compelling tension between the rippling enunciation of lighter
paragraphs and the precipitous propulsion of more dramatic passages.
This is most obvious in Garcia’s thrilling, magisterial performance of
Bach’s D minor Chaconne, where he also relishes the ringing campanella
effects while injecting a mesmeric fluidity into the rapid scale and
arpeggio passages that throw into sharper relief the cleanly etched
architecture of the sunlit major section. But it is also there from the
beginning, with Barrios’s melancholy La catedral, and later, in the less often-heard Inventions of Alexandre Tansman and Dušan Bogdanović’s superb Suite brève.
An expressive, sweet-toned Elsa Dreisig joins Garcia for the Bach/Gounod Ave Maria and the aria from Villa-Lobos’s Bachianas Brasileiras
No 5, while the latter’s Bachian Prelude No 3 looks past the Bogdanović
to the most sheerly beautiful takes on Bach’s ‘Wachet auf, ruft uns die
Stimme’ and ‘Jesus bleibet meine Freude’ I’ve heard from any guitarist
to date: clear, relaxed and full of feeling. (William Yeoman / Gramophone)
thank you very much. -a.v.
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