
The French oboist Hélène Devilleneuve, famous worldwide as soloist and
also First Oboe solo of the Philharmonic Orchestra of Radio France since
1995, has selected some works from the French repertoire of which a
good proportion comes out of the usual. Because if one gives often
enough the Sonata de Poulenc, sometimes that of Dutilleux, we strictly
never hear those of Eugene Bozza, Pierre Sancan and still less - which
is not to say little - the Trio for Oboe , Clarinet and piano by Edouard
Destenay. Bozza, however, was crowned with a First Grand Prix of Rome,
and his style happily accepts all the influences of his time, from
Stravinsky to Milhaud through jazz as well as, much further, the
polyphonic rigor of Bach; Pierre Sancan, it
is true better known as a great pianist and
pedagogue, delivers here a delicious Sonata, with touches to the Debussy
and some incursions modernist perhaps factious. As for Edouard Destenay
(1850-1924), one does not know much of his life as a musician,
especially since he made a career in the highest ranks of the French
Army.
Hélène Devilleneuve is accompanied on the piano by Rikako Murata,
winner of the Maria Canals Competition in Barcelona.
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