Two
former students of the Schola Cantorum in Basel, both now captivating
audiences each with their individual violinistic artistry, Amandine
Beyer and Leila Schayegh, join forces for a new SCB recording devoted to
the trio sonata music of Antonio Caldara, and issued with Glossa.
Though
he is known now (as for much of his life) primarily as a composer of
oratorios and operas, the Venetian Caldara made his name penning early
examples of the trio sonata form; his Opp. 1 and 2 sets were published
in 1693 and 1699 respectively. Caldara’s Op. 1 Trio Sonatas are
characterized by their contrasting use of fast and slow movements, those
from the second set by their incorporation of dances. Yet Caldara’s
melodic gift – which was to serve him so well in his musical posts in
various Italian states, in Barcelona, and as vice-Kapellmeister at the
Imperial Court in Vienna – is already evident in Beyer and Schayegh’s
selection from his instrumental publications; the composer was also
already noted as a virtuoso of the cello – and he also played the violin
and keyboard, and the awareness of all these instruments is greatly
evident in these trio sonatas.
The continuo team here
is made up of Jonathan Pesek, cello, Jörg-Andreas Bötticher,
harpsichord and organ, and Matthias Spaeter, liuto attiorbato. Beyer and
Schayegh both were taught at the SCB by Chiara Banchini and are
continuing their connection with the school as teaching successors to
Banchini. (GLOSSA)
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