This is the second instalment in an innovative line of work that the ever-restless José Miguel Moreno, founder and principal artist of Glossa, inaugurated with the recently issued Semper Dowland Semper Dolens.
Together with Eligio Quinteiro, the magnificent plucked-string continuo
player living in London, Moreno proposes an intellectual exercise
which consists in adding a second instrumental part, in the manner of a
second voice, counterpoint and harmonic development, to pieces that
were originally conceived for a solo instrument. The recording
technique utilised enhances the total interweaving of the instrumental
resources, making the two discrete sound sources
almost indistinguishable.
In line with a philosophy
grounded in historical criteria, this procedure favours the possible
over the probable. With a profound understanding of the music of Luys Milán, whose works he has previously recorded on CDs that have since
become points of reference, Moreno once again surprises us with this
emotive journey to the Spanish Renaissance. (GLOSSA)
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