
When KEIJI HAINO heard ZEITKRATZER rehearse for their Stockhausen
performance at the Ruhrtriennale festival he spontaneously decided to
join the group for that part of the programm too (HAINO was initially
invited for what was released as ZEITKRATZER + KEIJI HAINO: Live At
Jahrhunderthalle Bochum). Here too HAINO, one of the most prolific
artists of the Japanese experimental / noise scene, focuses on his voice
while ZEITKRATZER create the instrumental environment applying their
extended techniques of amplification and unique skills as musicians.
Once again the ensemble proves its outstanding quality that has gained
them high reputation with recordings of such diverse artists / composers
like THROBBING GRISTLE, CARSTEN NICOLAI (ALVA NOTO), LOU REED’s “Metal
Machine Music” or JOHN CAGE and ALVIN LUCIER.
“Aus Den Sieben Tagen”
delivers 5 pieces of STOCKHAUSEN’s collection of in total 15 text
compositions that he had written in may 1968 in reaction to a personal
crisis and which the great renovator of 20th century music
characterized as "intuitive music" - music primarily played by intuition
rather than the intellect of the performer(s) where not one single note
is defined. Which gives the musicians much space for interpretation –
ZEITKRATZER and KEIJI HAINO demonstrate impressively that they know how
to use this freedom!
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