With a strong sense of emotional involvement Nelsons breathes life into
this wonderful score directing a performance of elevated quality. With
ideal weight the cultured playing of the Gewandhausorchester has a
steadfast unity of a grade rarely achieved but it never comes at the
cost of expression. Impressive too is how Nelsons shapes the phrases
with such authority. Glorious too is the quality of the intonation and
vibrant tone colour achieved by the orchestra, conspicuously the brass
section with its gleaming golden hue . . . In the opening movement
Nelsons conveys a strong feeling of grandeur, bold and positive in mood
providing a convincing forward momentum. The treasurable second movement
Adagio is exquisitely performed by the Leipzig players with Nelsons
setting an ideal pace . . . Nelsons' uplifting Scherzo in the dramatic
passages is punchy in its urgency and contrasts with the delightful,
feathery Austrian "Ländler". It's easy to savour the sense of Alpine
majesty that Nelsons creates in the remarkable final movement,
sustaining an especially splendid flow which feels persuasive. The
section with the joyous Polka over the solemn Chorale sounds especially
impressive and after the conclusion of the symphony I can't resist
repeating this section again . . . [Wagner]: In a gripping performance
Nelsons conducts the "Tannhäuser Overture" with surefire conviction. The
Gewandhausorchester respond to his lead with all the expressive zeal
and breath-taking virtuosity which one has come to expect. Exceptional
is the velvety legato and tonal beauty of the prominent horns. Nelsons
interpretation is first class . . . (Michael Cookson /MusicWeb International)
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