Guillaume Connesson, born in 1970, is currently one of
the most widely performed French composers worldwide. Commissions are at
the origin of most of his works (Royal Concertgebouw Orchestra,
Philadelphia Orchestra, Orchestre National de France...) including Pour
sortir au jour, commissioned by the Chicago Symphony Orchestra (2013)
and Les Trois Cités de Lovecraft (co-commission of the Netherlands
Philharmonic Orchestra and the Orchestre National de Lyon). Moreover,
his music is regularly played by numerous orchestras (Brussels
Philharmonic, Orchestre National de France, National Symphony Orchestra
of Washington, Cincinnati Symphony Orchestra, BBC Symphony Orchestra et
al.)
He won a Victoires de la Musique award in 2015 as well as Sacem’s Grand Prize in 2012.
His discography includes, amongst others, two monographs of chamber music and two symphonic monographs on the Deutsche Grammophon label. The first, Lucifer, obtained a ’ Choc’ from Classica magazine, and the second, Pour sortir au jour, numerous critical distinctions such as the ’Diapason d’Or de l’Année’ as well the Classica ’Choc de l’Année’.
After studies at the Conservatoire National de Région in Boulogne-Billancourt (his birthplace) and the Paris Conservatoire, he obtained premiers prix in choral direction, history of music, analysis, electro-acoustic and orchestration.
He has been professor of orchestration at the Aubervilliers-La Courneuve Conservatory since 1997.
In residence from 2016 to 2018 with the Netherlands Philharmonic Orchestra as well as with the Orchestre National de Lyon, he is also devoting himself to the composition of an opera, Les Bains macabres (on a libretto by Olivier Bleys), commissioned by the Opéra National de Bordeaux.
He won a Victoires de la Musique award in 2015 as well as Sacem’s Grand Prize in 2012.
His discography includes, amongst others, two monographs of chamber music and two symphonic monographs on the Deutsche Grammophon label. The first, Lucifer, obtained a ’ Choc’ from Classica magazine, and the second, Pour sortir au jour, numerous critical distinctions such as the ’Diapason d’Or de l’Année’ as well the Classica ’Choc de l’Année’.
After studies at the Conservatoire National de Région in Boulogne-Billancourt (his birthplace) and the Paris Conservatoire, he obtained premiers prix in choral direction, history of music, analysis, electro-acoustic and orchestration.
He has been professor of orchestration at the Aubervilliers-La Courneuve Conservatory since 1997.
In residence from 2016 to 2018 with the Netherlands Philharmonic Orchestra as well as with the Orchestre National de Lyon, he is also devoting himself to the composition of an opera, Les Bains macabres (on a libretto by Olivier Bleys), commissioned by the Opéra National de Bordeaux.
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