
There is no shortage of recordings of Vivaldi’s Four Seasons, but this
one really is different. First of all, it is played on the viola, not on
the violin – by David Aaron Carpenter. He has been described by the
German newspaper
Die Welt as “a new star at the forefront of violists”, by the
Helsinki Times as playing “like a young god” and by
Gramophone
as a player of “superlative assurance and magnetic conviction". When he
made his debut at Carnegie Hall’s Weill Recital Hall in in 2007, the
New York Times
praised his “seductively rich sound … forceful interpretive personality
and remarkable control of his instrument,” and his mentors have
included such distinguished musical figures as Pinchas Zukerman, Yuri
Bashmet and Christoph Eschenbach. Secondly, Vivaldi’s Baroque concertos
are placed in a new light, since they are programmed alongside far more
recent works inspired by the cycle of spring, summer, autumn and winter:
Cuatro Estaciones Porteñas (Four Seasons of Buenos Aires), written between 1965 and 1970 by Argentina’s King of Tango, Astor Piazzolla, and A Manhattan
Four Seasons
by the Ukrainian-American composer Alexey Shor, premiered in 2013. This
CD represents the first time that the works by Vivaldi and Piazzolla
have been recorded in a version for viola.
Alexey Shor wrote his work – moody, mellow and immediately appealing –
in his capacity as composer-in-residence with the Manhattan-based
Salomé Chamber Orchestra, which David Aaron Carpenter founded with his
violin-playing sister and brother, Lauren and Sean. The orchestra
generally plays without a conductor and is therefore headless… hence its
striking name, inspired by the biblical princess who demanded the
decapitation of John the Baptist. It was founded by the Carpenter
siblings in 2009 with the declared aim of achieving “a dynamic balance
of novelty, tradition and hard work”. As Lauren Carpenter told the
New York Times, “It’s great to try and change the face of what classical music concerts can be.”
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