With 17 symphonies in his list of works, not to mention operas and
concertos, it is easy to forget that Kalevi Aho also composes chamber
music. He has in fact written some ten quintets alone, for various
combinations of instrument. Two are ‘normal’ wind quintets and
it is these that the Berlin Philharmonic Wind Quintet (BPWQ) perform on
the present disc. The ensemble came into contact with the Finnish
composer’s Wind Quintet No. 1 in 2010, and was immediately struck by the
qualities and challenges of the score. The composer himself has
described the difficulties in writing for wind quintet, in terms of
achieving a balanced and homogeneous sound and soft dynamics. In his
first quintet he therefore included unison passages and sometimes even
reduced the music to one or two parts. In the fourth movement he also
added a spatial dimension by having all of the players perform from
offstage at some point. Having played the work a number of times on
their many tours, the BPWQ decided to commission their own quintet, and
in 2015 they gave the first performance of Wind Quintet No. 2. This
time, Aho found another solution to the inherent difficulties – by
making the flutist and oboist change instruments to piccolo or alto
flute and cor anglais at various points, the piece achieves an even
wider spectrum of unusual and innovative tone colours and moods.
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