“A master jeweller. In her subtle, if not to say refined, refined
interpretation the composer appeared as a philosophical intellectual,
and it is thanks to these pensive and critical interpretations that
Polina Osetinskaya proffers that Shostakovich’s music remains topical
and even highly relevant art.”
The life of pianist Polina Osetinskaya can be divided into two stages.
The first – that of “wunderkind” (a word that Polina herself cannot
abide) – was when Polina performed as a girl in huge halls filled with
excited sensationalists. The second, which has continued to the present
day, is essentially her victory over the first. It is both a reference
to serious performing and to exacting audiences.
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