Robert Schumann's three Sonatas for violin and piano were all composed
between 1851 and 1853. They – especially No.3 – have to some extent
suffered from the same
neglect and incomprehension that has been the fate of other works from
this period in the composer's life, only a few years before he died in a
mental institution. During the same years a number of other works for
the violin saw the light, including the Violin Concerto and the Fantasy
for violin and orchestra. The concertante works were written for the
violinist Joseph Joachim, but it may have been a letter from Ferdinand
David, concert master of the Leipzig Gewandhaus Orchestra, that provided
the initial impulse to compose chamber works for the violin: ‘I am
uncommonly fond of your Fantasiestücke for piano and clarinet; why don’t
you write something for violin and piano? … How splendid it would be if
you could write something of that kind, that your wife and I could play
for you.’ Here the performers are Ulf Wallin and Roland Pöntinen, a
team who recorded their first disc for BIS in 1991, and whose
partnership has been described as 'masterfully cultivated ensemble
playing' on website ClassicsToday.com. Wallin's credentials in Schumann
must also be regarded as firmly established, after his recently released
recording of the violin concerto, the Fantasy and the arrangement for
violin of the cello concerto. The reviewer in Daily Telegraph found it
'hard to imagine more sympathetic and insightful performances of these
wonderful pieces’, and his colleague on the German website Klassik-Heute
agreed, describing Wallin as 'violinistically brilliant and musically
perceptive'
excelente interpretación. muchas gracias
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