Originally
released in 2001 but unavailable for almost two years, Glossa has
designed gorgeous new packaging for this most important of Paolo Pandolfo’s
projects, possibly a milestone in the recording history of Bach’s
music. Everybody seems to know these discs – despite almost no
marketing effort, they are perceived with such benchmarks as Glenn
Gould’s or Gustav Leonhardt’s renderings of the Goldberg Variations or Anner Bylsma’s performances of the original cello suites.
The
fact that these suites sound so well on the viola da gamba is of
course to a great extent due to Pandolfo’s magic touch. The rich
sonority of the viola da gamba truly seems to enrich these pieces and
Pandolfo’s remarkable transcription gives weight to his theory that
Bach originally composed them with this instrument in mind. (GLOSSA)
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