
Himmelsmusik sees Pluhar taking a more sober and traditionally
scholarly approach. She and L’Arpeggiata are joined by star countertenor
Philippe Jaroussky and the distinguished Belgian soprano Céline Scheen
in a programme that includes the celebrated lamento ‘Ach, dass ich
Wassers gnug hätte’ by Johann Christoph Bach (born over 40 years before
his relative Johann Sebastian), Heinrich Schütz’s ‘Erbarm Dich mein, o
Herre Gott’ and prompts discovery of works by such lesser-known figures
as Johann Theile, Philipp Heinrich Erlebach, Christian Ritter and Franz
Tunder. An instrumental piece by the Verona-born Antonio Bertali
highlights the influence of Italian music on German composers of the
time.
In an interview with the Bremen-based newspaper Weser-Kurier, Christina Pluhar provided some insights into the balance she strikes in her music-making with L’Arpeggiata.
“A way of escaping any categorisation as a specialist in improvisation
is to undertake projects in which I play pure Baroque music. I always
try to reinvent myself, to create something from my innermost being … I
can be quite satisfied with music as it was originally written, and we
will play this music without making excursions into other fields … But
it is also always exciting to look at this music through the eyes of
musicians who come from a different musical genre, since it opens up new
perspectives and gives rise to a kind of new music. That can only work
when you are well acquainted with the original music and its style, and
have great respect for it … There are pieces that lend themselves to
being developed into something new, and there are others that must
simply be presented in all their purity and beauty – works which must be
left as they are. Sensitivity is everything.”
No hay comentarios:
Publicar un comentario