
Sheng made his debut on Piano Classics with a 3CD album of Chopin (the
complete Nocturnes, Preludes, Ballades and Impromptus, PCL0049) played
on an 1845 Pleyel. For this new recording of Tchaikovsky’s evergreen
musical diary, he has returned to the reliable refinements of a modern
Steinway, yet the nuances of his performance reflect concerns to grasp
and convey the styles of phrasing and articulation that would have been
second nature to Tchaikovsky.
As a cycle of salon pieces, The Seasons has never ceased to afford
pleasure both to listeners and to amateur pianists since it was first
published in 1885, though Tchaikovsky had compiled its contents over
several years. It is here complemented by works dating from different
periods of Tchaikovsky’s career, similarly undemanding in style: the
very early Romance (1868) and two Morceaux (1871-2) and the much later
Dumka (1886), composed for his Parisian publisher Félix Mackar as a
‘rhapsody’.
In 1875 Tchaikovsky was commissioned to write a series of piano pieces
for the St. Petersburg musical magazine Nuvellist, each piece to be
published in the monthly issue. Although Tchaikovsky frequently composed
on commission (he sometimes described it casually as “tossing musical
pancakes") he took it seriously and he even warmed to the task during
composing. His 12 compositions are called “The Seasons” and describe
each individual month of the year, either by mood or by a particular
occasion or activity (January: By the Hearth, February: Carnival, July:
Song of the Reaper etc). the music is relatively simple (no octaves
thundering like in his 1rst piano concerto), affectionate, intimate and
often hauntingly beautiful: a series of 12 musical gems!
In addition to the cycle The Seasons Yuan Sheng recorded some smaller piano pieces by Tchaikovsky, including the ever popular Dumka.
In addition to the cycle The Seasons Yuan Sheng recorded some smaller piano pieces by Tchaikovsky, including the ever popular Dumka.
No hay comentarios:
Publicar un comentario