Frescobaldi brilliantly combines improvisation and architecture.
These qualities resonate with the discography of harpsichordist
Christophe Rousset, whose choice of repertoire and interpretation are
adventurous and serious at the same time.
Frescobaldi’s counterpoint goes along with the finest art of singing,
inherited from the Italian madrigal and the flexibility of his language
highlights the virtuosity of his compositions.
Christophe Rousset recorded toccate and partite on a beautiful and
original harpsichord of the late 16th Century. Its sound faithfully
testifies for the significant place of this First Book of harpsichord
pieces in the nascent modernity of Frescobaldi. If the modal harmonies
are still old-fashioned, the free beat and subtle melodies make it an
indisputable baroque master, admired from Italy to France and Germany:
Bach is said to have had a copy of his Fiori musicali.
This new disc by Christophe Rousset reveals the first treasures
composed specifically for the harpsichord. Its repertoire was served
from the beginning by musicians whose expressive boldness recalls in a
musical way Caravaggio’s chiaroscuro.
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