The 24 Preludes for Cello solo by Mieczysław Weinberg have a
particular history. He composed them in the late sixties for Mstislav
Rostropovich, who never played them. Their musical language is
aphoristic, often brutal, provocative and marked by an inner conflict.
The Preludes reveal many different and very strong gestures. Their
performance may have been problematic in Soviet times.
Gidon Kremer has adapted the preludes for solo violin and this is the
world premiere recording of his adaptation. In his concert program
“Preludes to a Lost Time”, he plays them to projections of pictures by
the famous Lithuanian photographer Antanas Sutkus. One of these pictures
is shown on the cover of the CD. Gidon Kremer’s earlier approaches to the music of the long neglected, brilliant composer Weinberg, in whom
many see a legitimate musical heir to Dmitri Shostakovich from today’s
perspective, were praised by music critics all over the world. Kremer,
with his very own tone, seems to be the ideal interpreter for this
exciting repertoire.
No hay comentarios:
Publicar un comentario