
For Adams, who has been called “one of the most original musical thinkers of the new century” by The New Yorker’s
Alex Ross, the 40-minute work completes a trilogy he hadn’t intended to
write, and yet it emerges as one of his most expansive and
consciousness-raising musical statements to date.
In 2010, Adams created musical streams both aurally and visually with Become River. He followed with Become Ocean, which divides the orchestra into three parts to create a vast
sense of undulating space and rhythm. The 2014 recording by Morlot and
the Seattle Symphony debuted atop the Billboard Traditional Classical
Chart, and won a Grammy Award for Best Contemporary Classical Composition.
With Become Desert, space is once again a
fundamental compositional element, but on a larger scale, with five
different ensembles moving at five different tempos. The work features a
large orchestra and choir that are deployed as five ensembles that
surround the audience.
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