
Her own music has
been inspired by that of Johann Sebastian Bach in more ways than one, with the
result that it seemed obvious for Anne-Sophie Mutter to record two of Bach’s
concertos alongside her worldpremiere recording of Gubaidulina’s most recent
violin concerto, a piece dedicated to Mutter. “There is a profound spiritual
affinity between Gubaidulina and Bach,” says the violinist. “Like Bach, she too
draws not only a great deal of strength from her faith in God, but ultimately
also a musical language all of her own.”
Written in 2006 – 07, the violin
concerto is the first piece by the Russian composer that Anne-Sophie Mutter has recorded. “I knew about Paul Sacher’s commission and have been waiting patiently
for ‘my’ work since the 1980s. Not that this means that I haven’t taken every
opportunity to follow Sofia Gubaidulina’s career very closely, although I got to
know her personally only just before the first orchestral rehearsal in Berlin,
when I played In tempus praesens for her. It was a very moving moment for me.
She is undoubtedly one of the most fascinating of all composers, in that every
note reveals such great depths of emotion. She truly lives to compose and
doesn’t compose to live.”
Sofia and (Anne-)Sophie – the similarity between
the two names inspired Gubaidulina. “During this whole time, I was accompanied
by the figure of Sophia – divine wisdom. It was all entirely spontaneous: our
names are the same – it was this that provided the basis for this association,”
the composer explains. For Gubaidulina, Sophia is the figure revered by orthodox
Christianity, the personification of wisdom who has laid the foundations for all
creativity and intellectual effort in the history of creation, preparing the way
for all that develops organically in the world. She is the fountainhead of art
and of the artist’s engagement with the lighter and darker sides of human
existence. (Selke Harten-Strehk)
Thanks so much for this…!
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