Following his acclaimed recordings of sonatas by Biber, Schmelzer and
Veracini and his no less lauded rendering of the complete unaccompanied
works by Bach, British violinst John Holloway once again joins forces
with his excellent partners Jaap ter Linden and Lars Ulrik Mortensen for
an album of strikingly beautiful, yet little known chamber music from
the baroque era. Jean-Marie Leclair (1697–1764) who trained as a dancer,
lacemaker, violinist and composer and was murdered in Paris under
obscure circumstances, laid the foundations for the French violin
school. As a composer he is a master of mixed styles, providing a rare
synthesis of Italian and French traits, of melodic beauty and dancelike
vivacity. John Holloway has chosen sonatas from his “classical” period
in which Leclair had gained a perfect balance of proportion,
expressiveness and virtuosic display. (ECM Records)
This came as quite a revelation. Choosing five sonatas from what he
believes to be Leclair’s finest collection, and, along with his
colleagues, performing them with deep understanding and expressive
finesse, John Holloway makes a persuasive case for the French violinist
as a major figure of 18th-century music. … All three players capture unerringly each movement’s rhetorical style, and are sensitive to the
many expressive details of harmony and melody, while remaining natural
and unaffected. … I urge you to listen. (Duncan Druce / Gramophone)
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