With Il pianto della Madonna, a collection of spiritual compositions by Claudio Monteverdi, La Compagnia del Madrigale provide a stunning follow-up to their award-winning recording of the Fifth Book
of madrigals by Luca Marenzio – both releases from Glossa. The singers
of the ensemble have returned to their favoured Piedmontese recording
location in Roletto to create a vivid sound picture of the desire in
Monteverdi’s own time to bring the “heavenly harmony” of the composer’s
secular works into the service of the religious domain (and that despite
Post-Tridentine restrictions on such secular “intrusions”).
Here, for example, is presented the spiritual version of the celebrated Lamento d’Arianna from the lost opera Arianna – Il pianto della Madonna – and sung in a distinctive polyphonic reworking prepared especially for La Compagnia del Madrigale. Pastoral concerns in Monteverdi’s madrigals, such as in the Fourth and Fifth Books,
make way for reflections on the Crucifixion or the Nativity through the
new religious texts supplied by the likes of Angelo Grillo and Aquilino
Coppini, which nonetheless fit the music more than aptly. Included also
are some of Monteverdi’s own religious compositions, as published by
Giulio Cesare Bianchi, and including the extensive Litaniae lauretanae.
In
the booklet essay Marco Bizzarini brings his deep understanding of the
interplay of words and music in Italy in Monteverdi’s time, underscoring
the skill, experience and sheer musicality of La Compagnia del Madrigale. (GLOSSA)
Il pianto della Madonna.pdf
Il pianto della Madonna.pdf
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