The
story of Handel’s associations with the harp and also those of harpists
with his music stretches out across more than a century, from before
the composer’s arrival in London in 1712 until well into the 19th
century, when arrangements of his works were continuing still to be
published. In an original and novel CD - in which the harpist Mara Galassi
performs on two contrasting period instruments, a Welsh triple harp
and an Érard pedal harp - there appear both compositions written by
Handel for the instrument, such as the Harp Concerto HWV 294 and the Suite in D minor
HWV 448, as well as later arrangements by composers such as Edward
Jones and Nicolas Charles Bochsa, in new works partially attributed
(in a somewhat doubtful manner) to Handel.
This is Galassi’s third disc for Glossa (following Il Viaggio di Lucrezia in 1998 and Les Harpes du Ciel
in 2003, two CDs which have been quietly acquiring cult status), and
on it she shares centre stage with the keyboard player Giovanni Togini,
who acts as the ideal musical companion on any of the three instruments
which he makes use of for this Microcosm Concerto: the organ, the harpsichord and the fortepiano. (GLOSSA)
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