'Extremely impressive all round … Osborne lavishes a remarkable level of
authority on every one of these masterworks, playing with a rare
combination of technical ease, tonal lustre and idiomatic
identification. He also has the undeniable advantage of a magnificent
Steinway instrument with a rich, opulent sonority and great solidity in
its bass register … in summary, Osborne goes from strength to strength
as he moves through the cycle, wrapping up the final page of the
concluding D flat prelude in a blaze of glory … for a truly spellbinding
modern account, Osborne now holds the winning ticket' (International
Record Review)
'The velvet tone with which Osborne caresses the tendrils of the melody
at the beginning of Op 23/6, the stunning clarity of the gesture in Op
32/6 and the fingerwork in Op 32/8, the gloriously saturated climax of
Op 31/13 … the subtly of color and his unerring control of phrasing and
dynamics over long musical spans, the lyricism never turns saccharine,
the introspection never turns to self-pity, and the melancholy never
glowering … Osborne is arguably at the top of the list' (Fanfare, USA)
'There are few pianists who offer such range and depth of palette: not
even Ashkenazy's seminal reading … this has award-winner written all
over it' (Gramophone)
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