The Finnish composer Kalevi Aho (b. 1949) and his younger colleague and
compatriot Sebastian Fagerlund (b. 1972) have both received
international recognition for their masterful treatment of large
orchestral forces. This they have demonstrated in purely
orchestral as well as in concertante works – Aho has written 26
concertos to date (most of them in his monumental project to compose a
concerto for each of the main orchestral instruments), and Fagerlund’s
concertos for clarinet and for violin have been released by BIS to
critical acclaim. On this disc the two composers appear side by side
with their respective concertos for bassoon and orchestra, works that to
a certain extent illustrate different approaches to the concerto genre.
If the Romantic concept of the concerto was that of a struggle between
the soloist and orchestra, Fagerlund in his Mana (2014) instead gives
the bassoon the role of a spiritual leader, conjuring up new sound
worlds from the orchestra. (In Swedish – Fagerlund’s mother tongue –
‘mana’ is a verb that suggests invocation; in Finnish the word alludes
to exorcism). Kalevi Aho, on the other hand, has endeavoured to enrich
and expand the solo instrument’s sonic and expressive possibilities
through his use of orchestration and describes his concerto as ‘quite
symphonic in character’. In both works Lahti Symphony Orchestra supports
the soloist Bram van Sambeek, the first bassoonist ever to receive the
prestigious Dutch Music Prize and the musician for whom Fagerlund composed Mana. In preparation for the concerto Fagerlund also wrote the
solo piece Woodlands, which van Sambeek includes here together with
Aho’s dramatic Solo V. (BIS Records)
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