Vilde Frang’s Homage is more than a captivating programme of
short pieces for violin and piano, it is also a homage to the players of
the Golden Age of the Violin, such as Fritz Kreisler, Leopold Auer and
Joseph Szigeti. The recital includes music originally conceived not just
for the violin, but also for piano, orchestra or voice, and proves once
again, as BBC Music Magazine wrote, that “Frang has the knack of
breathing life into every note, whether by variations in phrasing,
attack, tone or dynamic.”
Vilde Frang has conceived the album as something of a homage to her
illustrious predecessors. Born in 1986, she is clearly very much a
violinist of today, and – as a Norwegian trained in Germany – she did
not grow up in the Central and Eastern-European tradition of Heifetz, Kreisler, Auer and Szigeti. That being said, she brings her own,
distinctively captivating magic to her instrument. As Gramophone wrote
of her performance of the Korngold concerto, a work that has its roots
in the composer’s glorious late-Romantic scores for Hollywood: “Frang
has a winning way with the rubato that makes the melodies yearn and
smile, but there’s a fragile thread of silver woven through her
passagework that bounces off the glinting accompaniment of the Frankfurt
RSO as an opalescent gown catches the light in a mirrored ballroom.
Fresh thought illuminates each phrase and she has the technique to bring
off every idea, from the wild caprice of the first movement’s dash to
the double-bar, to a coquettish (or demure?) restraint in the finale’s
big tune.” (Warner Classics)
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