
In Gramophone’s original review of the recording (which merited L’Orfeo
being marked out as an Editor’s Choice), Richard Lawrence commented
that “Cavina’s wonderful account goes straight to the top of the list of
recommended recordings. Do not miss it.”; a recommendation that
was taken up by the also prestigious UK reviewing forum, the “Building a
Library” feature on BBC Radio 3’s CD Review programme, which identified
the Glossa recording as the Top Recommendation for the work.
Counter-tenor
and conductor Cavina has assembled a strong cast of leading vocal
specialists including Emanuela Galli, Mirko Guadagnini (in the title
role), Marina De Liso, Cristina Calzolari, Matteo Bellotto and Josè Lo
Monaco, accompanied by the period-instrument forces of La Venxiana for
the recording released last year on the 400th anniversary of the first
performance of L’Orfeo.
La Venexiana
have long been fêted for their subtle mastery of their native Italian –
musical as well as vocal – language: indeed, back in 2000 Jonathan
Freeman-Attwood, again in Gramophone magazine, enthused about
them in terms as, “This exquisitely modulated Italian ensemble is
wonderfully discriminating, extracting the eloquence of the mercurial
lines and unobtrusively seeking architectural sense behind the text.” –
when commenting on La Venexiana’s recording of Gesualdo da Venosa’s Il quarto libro di madrigali. This Glossa recording was to win the Gramophone Award in 2001.
Although La Venexiana
have recorded and performed madrigals by other leading early Italian
composers – Luca Marenzio, Sigismondo d’India and Giaches de Wert among
them – the secular music of Claudio Monteverdi has, to date, been the
focal point of the group’s activities: madrigals from all nine books
have been recorded in Glossa’s Monteverdi Edition. Now Cavina is
preparing for imminent release on the label an extensive three CD
collection of Monteverdi’s sacred music, drawn from the 1640 Selva morale e spirituale collection.
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