The focus of Kalevi Aho’s output lies on large-scale orchestral works,
and his work-list includes fifteen symphonies to date, composed between
1969 and 2010. Although the Finnish composer is famously
lavish as an orchestrator, and often invites rare guests such as the
heckelphone into his orchestra, the scores of Aho’s three chamber
symphonies are much more economic in scale. But although composed for
some twenty strings in all, and of more modest durations than for
instance the 50-minute Eighth Symphony for organ and orchestra, they
bear eloquent proof of the composer’s aim of exploiting to the full the
expressive capabilities of a string orchestra. Consequently these works
are highly demanding for the players; not because virtuosity has been an
end in itself, but for reasons of maximum expressivity. For Chamber Symphony No.3, the composer decided to include a solo part for alto
saxophone, written for John-Edward Kelly who also performs it here. In
his liner notes, Aho describes the piece as ‘a hybrid of chamber
symphony and saxophone concerto’ and relates how he was inspired by
Arabic music, and more particularly by a certain ‘unique melodic
heterophony’ resulting from different musicians playing the same melodic
pattern, but each of them with slight differences. Performing these
scores are the eminent strings of the Tapiola Sinfonietta, an ensemble
which has earned high praise from reviewers around the world for its
recordings, ranging from Arvo Pärt to Saint-Saëns and C.M. von Weber.
The conductors Jean-Jacques Kantorow and Stefan Asbury are both close
collaborators of the orchestra, and the presence of the composer during
the recordings vouches for the authenticity of these performances. (BIS Records)
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