Asked the question ‘How many sonatas for violin and piano did Johannes
Brahms compose?’, many lovers of chamber music would probably answer
three, and maybe also add their respective keys and opus numbers. When
pressed, a number of them would also remember the so-called F.A.E.
Sonata, a collaborative effort
by the young Brahms, Albert Dietrich and their mentor Robert Schumann.
But very few would probably think of the two Opus 120 sonatas, composed
in 1894 for clarinet (or viola) and piano, but a year later published in
the composer’s own versions for the violin. As the range of the B flat
clarinet goes a fourth lower than that of the violin, Brahms had been
forced to make considerable revisions to the clarinet part – which in
turned entailed changes in the piano part, and consequently the printing
of a new piano score.
The seasoned team of violinist Ulf Wallin and pianist Roland Pöntinen have now decided to record all the Brahms sonatas, and the results are being released on two discs, the first one including the first of the ‘official’ sonatas, No. 1 in G major, Op. 78, the F minor Sonata from Op. 120 and Brahms’s Scherzo from the F.A.E. Sonata. Wallin and Pöntinen round off the programme with transcriptions of two of Brahms’s more lyrical songs.
The seasoned team of violinist Ulf Wallin and pianist Roland Pöntinen have now decided to record all the Brahms sonatas, and the results are being released on two discs, the first one including the first of the ‘official’ sonatas, No. 1 in G major, Op. 78, the F minor Sonata from Op. 120 and Brahms’s Scherzo from the F.A.E. Sonata. Wallin and Pöntinen round off the programme with transcriptions of two of Brahms’s more lyrical songs.
iam wallin from in us all my life from Leona neva and Herbert wallin Leona born 1909 me 1961 all my brothers are muiscicans
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