All too often, chamber music collaborations between established, accomplished soloists do not yield favorable results. Merely putting together virtuosic musicians does not mean they will play well together. Such is not the case with this recording of Martha Argerich's 2006 festival in Lugano. This album represents an amazing synthesis of well-known artists, musicians just coming into their own fame, as well as compositions ranging from standard repertoire to rarely heard works. Argerich's decision to include violinist Renaud Capuçon and brother Gautier Capuçon was wise indeed, as their energetic and fiendishly virtuosic playing is nearly enough to carry the CD on its own. All of the music-making is simply top-notch, yet there are still ensembles that truly stand out. The first such remarkable performance is of Schumann's Piano Quartet, Op. 47, with Argerich herself at the helm joined by brothers Renaud and Gautier Capuçon and Lida Chen. The quartet breathes amazing new energy and life into a composition that is frequently given a backseat to the piano quintet. Schumann receives another boost in the performance of his Piano Trio, Op. 63, this time by pianist Nicholas Angelich joined again by the Capuçon brothers. Both of these Schumann interpretations could stand alone as reference recordings of the works. As for lesser-known works, the Taneyev Piano Quintet is perhaps the weakest piece on the program primarily due to the slightly poorer sound quality. The three-disc set concludes with the Schnittke Violin Sonata and a concerto for cello (again with Gautier Capuçon) and wind orchestra by Friedrich Gulda. Anyone the least bit interested in chamber music should give this album a try. (Mike D. Brownell)All too often, chamber music collaborations between established, accomplished soloists do not yield favorable results. Merely putting together virtuosic musicians does not mean they will play well together. Such is not the case with this recording of Martha Argerich's 2006 festival in Lugano. This album represents an amazing synthesis of well-known artists, musicians just coming into their own fame, as well as compositions ranging from standard repertoire to rarely heard works. Argerich's decision to include violinist Renaud Capuçon and brother Gautier Capuçon was wise indeed, as their energetic and fiendishly virtuosic playing is nearly enough to carry the CD on its own. All of the music-making is simply top-notch, yet there are still ensembles that truly stand out. The first such remarkable performance is of Schumann's Piano Quartet, Op. 47, with Argerich herself at the helm joined by brothers Renaud and Gautier Capuçon and Lida Chen. The quartet breathes amazing new energy and life into a composition that is frequently given a backseat to the piano quintet. Schumann receives another boost in the performance of his Piano Trio, Op. 63, this time by pianist Nicholas Angelich joined again by the Capuçon brothers. Both of these Schumann interpretations could stand alone as reference recordings of the works. As for lesser-known works, the Taneyev Piano Quintet is perhaps the weakest piece on the program primarily due to the slightly poorer sound quality. The three-disc set concludes with the Schnittke Violin Sonata and a concerto for cello (again with Gautier Capuçon) and wind orchestra by Friedrich Gulda. Anyone the least bit interested in chamber music should give this album a try. (Mike D. Brownell)
mi pianista preferida, un abrazo Enrique y Gracias totales!
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