
The recording, entitled From Darkness to Light, 'reflects the many
very dark passages in each of the two sonatas, which ultimately seem to
resolve themselves into the possibility of universal light and hope,'
says Ms. Hewgill, Principal Cellist of the Sydney Symphony Orchestra. 'I
very much enjoyed working on this recording with Katie Hewgill. She is a
very artistic and highly professional musician. Also, as I am Russian,
it certainly feels very natural to me to identify with this great
music,' says Vladimir Ashkenazy.
Prokofiev's Cello Sonata sees the composer on his very best
behaviour. The astringent harmonies, the motoric rhythms, and
thesardonic, sarcastic and pessimistic temperaments that characterized
so much of his earlier music have been replaced with a more palatable
lyricism, and an apparent willingness to please, instead of provoking.
Shostakovich's Cello Sonata was written in the wake of a spell of
notoriety. It was written in 1934, the same year as the premiere of his
'shocking' opera Lady Macbeth of the MtsenskDistrictand was completed on
19 September that year, a week before he turned 28 and was his first
important chamber work.
'Having the privilege of working with Maestro Ashkenazy in performing
these complex twentieth-century Russian works, has been like no other
experience,' says Ms. Hewgill. 'There is so much history embedded in
this music, and his direct links to Russia and its music of this time
have given him insights that make every note so much more meaningful.
For me this journey with him has been one of pure joy and the making of
this recording has been a highlight of my career. He has extraordinary
pianistic dexterity, unstoppable energy and a crystal-clear view of what
he wants musically. He will continue past the point of exhaustion in
the pursuit of excellence. He is inspirational in every sense of the
word and has become a great musical friend.'
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