A voice, a lute, a sigh.
Nothing could be simpler and more immemorial. This expression of
sentiments and emotions, of the intermittencies of the heart and the
shadows of the soul, is of course as old as the world. Yet it was truly a
reconquest of the Renaissance. With Caccini, the ‘new music’ at once
found a miraculous melodist. He composed a Euridice, performed in 1602,
two years after Jacopo Peri’s setting and five years before Monteverdi’s
Orfeo. The Renaissance did not know opera, but long secreted that genre
soon to be born. And it is brand-new opera that opens and closes this
recording, through the voice of its first visionary, Claudio Monteverdi.
His Lamento d’Arianna, the centrepiece of a lost work, expresses
sorrow, regrets, revolt through the very music of the Italian language,
here brought to white heat. The ‘new music’ spread throughout Italy:
Merula in Cremona, Falconieri in Naples, and Barbara Strozzi, the most
famous woman composer of the age, in Venice.
The Italian soprano Roberta Mameli is a great lover of this music, which
she performs with an outstanding feeling for words and drama. Luca
Pianca offers her his artistry and his great experience. Roberta Mameli
is joining Alpha for several recordings, which will guide us towards
other rarities and other periods. (LQM)
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