Javier Perianes’s
account of Grieg’s Piano Concerto was recorded live at London’s
Barbican last October, at the end of a BBCSO tour. And it is an
interpretation into which soloist and orchestra seem, gratifyingly, to
have grown together. In the first movement, Sakari Oramo
leads the orchestra off at a tempo that seems rather steady, but which
leaves space for some careful phrasing: once the main theme gets
to Perianes, it sounds almost like a statement and then a comment,
rather than a single entity. Somehow, Oramo and Perianes make this sound
interesting rather than fussy, and the romantic expansiveness that
marks their interpretation overall is tempered by playing from both
pianist and orchestra that is as crisp and highly charged as one could
want. Paired with this is a selection of 12 of the solo Lyric Pieces,
recorded in the studio, all individually characterised but reaffirming
Perianes’s warm, spacious approach to Grieg’s music. (Erica Jeal / The Guardian)
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