"In 2009, I came across an interesting catalogue entry in the
Austrian National Library. It was the opera 'Rosinda ed Emiremo' by
Giacomo Perti with obbligato cornett arias. Since this instrument has
always played a major role on many of our programmes, I was immediately
electrified by this finding. The music turned out to be highly
interesting – sweet, sonorous melodies with dialogues between the voice
and cornett, a wonderful musical rarity. I soon put together a Bolognese
concert programme on which the most beautiful arias from the opera were
combined with instrumental sonatas from Giovanni Legrenzi’s Op. 8. The
music went together very well and could be so readily combined because
Legrenzi had dedicated his Op. 8 to Perti’s uncle, Lorenzo Perti. In
addition, we played an aria from Giacomo Perti’s opera 'Penelope la
Casta' in which the cornett has a highly virtuoso part. After the
concert and the CD recording, I was contacted by the musicologist
Rodolfo Zitellini, who specialises in Perti. He drew my attention to an
opera by Alessandro Scarlatti entitled 'L’Emiremo ovvero il consiglio
dell’ombra', based on the same libretto as Perti’s 'Rosinda ed Emiremo'.
It was quite a surprise when we realised that not only were the
libretti the same, but that the two operas – each aria, each recitative –
were absolutely identical! I asked Rodolfo Zitellini to take on this
task and, thanks to his painstaking research, we know today that Scarlatti composed the opera, not Perti. We are most delighted over the
solution to this almost criminological puzzle and grateful for this new
knowledge. One way or the other, it is clear that the music is
magnificent, and it has been a worthwhile endeavour to wrest it from the
darkness of the archive." (Daniela Dolci)
Comentarios
Publicar un comentario