In his latest recording, 23-year-old South Korean pianist Seong-Jin Cho presents an all-Debussy programme. Debussy follows Cho’s two best-selling Chopin recordings.
It is entirely fitting that Seong-Jin Cho, winner of the 2015 International Chopin Piano Competition, should now turn to Debussy. Towards his life’s close, the French composer edited the piano works of Chopin, an experience that reignited his creativity, opening his heart to music he had loved since childhood. In turn, Cho’s connection to Debussy runs deep. He performed “Golliwogg’s Cake-walk” from Children’s Corner as part of his first public recital at the age of eleven, and his passion for the composer developed in parallel with his exploration of Chopin. He was therefore delighted to have the opportunity of commemorating the centenary of Debussy’s death, which falls in March 2018, with his own tribute.
Since childhood, Cho has felt many affinities with Debussy and he was keen to mark the centenary in his own style. The new album features both books of Images, each comprising three pieces of breathtaking imagination, in company with Children’s Corner and Suite Bergamasque, the latter including the hugely popular “Clair de lune”. Rounding things off in jubilant fashion is the beautiful “L’Isle joyeuse”.
“I have always loved Debussy’s music, but my feeling for it has deepened during my studies with Michel Béroff at the Paris Conservatoire,” Cho recalls. “Michel never presses me to accept his ideas on interpretation, which would be so easy for such a great master of Debussy’s music. His lessons are like meetings in which we discuss my playing, talk about music and art, and allow things to develop naturally. It’s a process of mutual understanding with Michel occasionally making suggestions about something that I might consider changing. Because he has such a profound connection to Debussy, he asks questions that can open your mind and ears to new possibilities.”
It is entirely fitting that Seong-Jin Cho, winner of the 2015 International Chopin Piano Competition, should now turn to Debussy. Towards his life’s close, the French composer edited the piano works of Chopin, an experience that reignited his creativity, opening his heart to music he had loved since childhood. In turn, Cho’s connection to Debussy runs deep. He performed “Golliwogg’s Cake-walk” from Children’s Corner as part of his first public recital at the age of eleven, and his passion for the composer developed in parallel with his exploration of Chopin. He was therefore delighted to have the opportunity of commemorating the centenary of Debussy’s death, which falls in March 2018, with his own tribute.
Since childhood, Cho has felt many affinities with Debussy and he was keen to mark the centenary in his own style. The new album features both books of Images, each comprising three pieces of breathtaking imagination, in company with Children’s Corner and Suite Bergamasque, the latter including the hugely popular “Clair de lune”. Rounding things off in jubilant fashion is the beautiful “L’Isle joyeuse”.
“I have always loved Debussy’s music, but my feeling for it has deepened during my studies with Michel Béroff at the Paris Conservatoire,” Cho recalls. “Michel never presses me to accept his ideas on interpretation, which would be so easy for such a great master of Debussy’s music. His lessons are like meetings in which we discuss my playing, talk about music and art, and allow things to develop naturally. It’s a process of mutual understanding with Michel occasionally making suggestions about something that I might consider changing. Because he has such a profound connection to Debussy, he asks questions that can open your mind and ears to new possibilities.”
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