Unlike many of his radical new music colleagues, Bruno Maderna
(1920-1973) had a great affection for older music, especially that of
the Italian Renaissance and Early Baroque eras. But his transcriptions
had little to do with the orthodoxy of so-called ‘historically informed’
interpretation. In the belief that works of art can be removed from
their original contexts, he used contemporary instrumental resources to
discover new meaning and a new validity in the works of old masters. His
transcriptions of Gabrieli, Frescobaldi, Legrenzi, Viadana and
Wassenaer are vividly conveyed by the RSI Orchestra under Dennis Russell
Davies in a programme which includes Chemins V by Maderna’s good friend Luciano Berio (1925-2003). Chemins V is itself a transcription of sorts, a chamber orchestra version of Berio’s Sequenza XI.
Soloist Pablo Márquez references flamenco and the guitar’s classical
heritage, while the orchestra engages with the guitar on levels of
expanded harmony. Dialogue develops, as Berio said, “through multiple
forms of interaction, from the most unanimous to the most conflictual
and estranged.” (ECM Records)
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