Musical
depth, perfect form: Bach’s Sonatas and Partitas for Solo Violin are a
miracle of timelessness allowing many interpretations. Christoph
Schickedanz presents his own independent reading between the poles of a
“traditional” and a “historically informed” view of Bach.
"On one stave, for a small instrument, this man writes an entire world
of the deepest thoughts and the most powerful feelings." These are the
words of Johannes Brahms, who venerated Johann Sebastian Bach's six
Sonatas and Partitas for Solo Violin, a miracle of musical timelessness
and expressive depth. Violinists approach this music with a sense of
awe; they study it for their entire lives and yet never feel absolutely
to be able to do it justice. They present the ultimate challenge, a life
task. Schickedanz' understanding of these works has grown out of
musical practice - an independent reading between the poles of a
"traditional" and a "historically informed" view of Bach. To his mind,
the violin is only the medium for which these works were conceived:
"There is absolutely no need for this music to be played on certain
instruments in order to achieve a 'correct' interpretation."
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