“300 years have passed since Johann Sebastian Bach wrote these
incredible Suites for solo cello. Thanks to great cellist Pablo Casals,
who discovered the manuscript in the 20th century, we play and listen to
this day. The Suites have been analyzed so many times that there is no
need for me to do it again. I would, however, like to tell you about my
story with Bach. I was very young when I first heard his music. I can
still remember that the piece was played by organ and cello. But the
biggest impression came to me during my teen years while attending
concerts in The Organ Hall of my most beloved and beautiful city of
Lviv, Ukraine. I felt like I needed to be there and I was there. Every
day for almost three months. From then on, I knew that he will always be
my favorite composer. His music is the highest achievement of human
civilization. I hear the cosmos with no end. Filled with spiritual love,
through his harmonies, the music opens windows to eternity. I was
fortunate to become a cellist and so happy that Bach wrote for cello,
too. Pablo Casals’ inspired my interpretations, and later - Glenn Gould.
As so many cellists, I have been studying the suites for my whole life.
My interpretations change and I will forever remain a student of the
work.” (Natalia Khoma)
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