No violinist can escape them: Paganini’s Caprices. A beautiful,
infamous cycle of 24 works for violin solo with an enormous arsenal of
technical delights.
With his 24 Caprices Niccolò Paganini set out to fascinate the
audience and play the kind of music that people had never experienced
before. As a young talent Niccolò had shocked and enraged the public by
imitating animals using his violin and in the Caprices he elaborated on
that earlier experimentation. Birdsong, hunting horns, laughter, donkeys
– they were all brought to life through his instrument. When it comes
to special techniques and almost impossible dexterity, his 24 Caprices
go a step further than Locatellis. Above all Paganini’s caprices are
full of drama. Calm and moving passages interchange without warning with
fiery, almost violent passages.
For Lisa Jacobs it is not the technical aspects of the music, but
exactly that enormous variety in the musical characters, the
extraordinary sound landscape, and the fantasy and lyricism that has
amazed her all her life and has been an inspiration for this recording.
Dutch violinist Lisa Jacobs performs three of Locatteli’s concertos
with bold characterization, and meets their formidable technical
challenges with commendable athleticism and élan.
(The Strad, UK, 2017)
Dutch violin virtuoso Lisa Jacobs is known for her passionate
performances, interesting programs and communicative qualities on stage.
She is equally at home on the concert stage with concertos, chamber
music and solo works. Lisa Jacobs collaborated with amongst others the
Royal Concertgebouw Orchestra, Brussels Philharmonic, Bremer
Philharmoniker and respected conductors such as Riccardo Chaily, Neeme
Järvi, Massimo Quarta, Otto Tausk, Jan Willem de Vriend and Carlos
Miguel Prieto.
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