It is clear and undisputed
that the Sonatas belong to the outstanding clarinet music-literature.
Brahms succeeds in his two “Sister Sonatas” to show the full sonority of
the woodwind instrument while treating the piano as an accompaniment,
but equal chamber music partner. Clarinet and piano always stay together
– in support and in dialogue. The composition in all of these works can
be experienced as a contribution to any understanding of expression and
inter-musical relationships: this becomes clear on an inter-musical
level of the composition and on an inter-humane level of the
interpreters. It is especially this aspect which makes Brahms still
experienceable in performance and interpretable today. In this
‘performativity’, the works
experience their raison d’être; and in their performance, the intimate
dialogue of friendship becomes reality. It is hard to find such a
well-balanced and creative union between three artists, whose solo
careers speak for themselves, but whose collaboration evoke the true
essence of music-making. The most notable element perhaps, which brings
Pablo Barragan, Juan P. Floristan, and Andrei Ionita together is their
common vision of the communicational power of chamber music, its
capacity to inspire and transform and its importance for their
professional and personal development.
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