The name of this group of concertos, attributed by Bach scholar Philipp Spitta, comes from their dedication to the Margrave Christian Ludwig of Brandenburg-Schwedt, half-brother of King Friedrich I of Prussia. The original title of the autograph score of 1721 reads: “Six Concerts Avec plusieurs Instruments Dediées A Son Altesse Royalle Monseigneur Crétien Louis, Marggraf de Brandenbourg ... par Son tres-humble et tres obeissant serviteur Jean Sebastien Bach”. The use of the French language was common at the German courts, reflecting the influence that the court of Versailles held over the other courts of Europe in matters of art and culture.
The six Brandenburg Concertos by Johann Sebastian Bach are some of the most celebrated and fre- quently performed works in concerts and at festivals. And yet, this cycle presents numerous characteristics that are unusual when compared to the Italian models of recent invention. Indeed, Bach did not hesitate to incorporate among the more brilliant or cantabile movements typical of the concerto grosso or the Italian solo concerto certain elements characteristic of other styles.
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