
Alfredo Casella certainly was the most ‘European’ composer of the famous
“eighties generation”: he arrived in Paris as a piano student then as a
concert artist, then he fully lived the varied cultural movement that
filled the French capital in the early twentieth century where music,
painting, dance and poetry represented the main trends of the continent.
The songs for voice and piano constitute one of the most sensitive
means of showing how Casella managed to deal with a culture that placed
the mélodie in the forefront, by surrounding it with the subtle
reverberation emitted by the intertwining of music and poetry, over the
background of a social custom that resounded with precious literary
streaks.
The voice of Lorna Windsor, accompanied by the piano by
Raffaele Cortesi, reveals in all its nuances these compositions,
belonging to the period when Casella was staying in the stimulating
cultural forge of a Paris at the top of its social and artistic
importance.
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