
With the exception of Ravel, Anne collaborated with all of the
composers and arrangers on this album. Several of the works were written
for her. The music is reflective and spiritual, and weaves a beautiful
story. Philip Glass’ Metamorphosis II is heard in an arrangement commissioned by Anne. The original work inspired Fratres by Arvo Pärt, whose Spiegel im Speigel (Mirror in Mirror) provides the album’s title. John Corigliano’s Lullaby for Natalie
was written to commemorate the birth of Anne’s first daughter. Anne has
commissioned numerous works by Jakob Ciupinski who combines acoustic
instruments with electronics in Edo Lullaby – a modern setting of a traditional Japanese melody that Anne recalls from her childhood – and Wreck of the Umbria
which conjures the composer’s dive and discovery of the ship off the
coast of Sudan. Ciupinski contributes electronics to Ravel’s Tzigane,
re-creating the sound of the original version’s lutheal. The album is
capped by another Anne commission – the premiere recording of Morten
Lauridsen’s own arrangement for violin and orchestra of his most famous
choral composition, O Magnum Mysterium.
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