The ever versatile LSO also features on this exceptional album, where
the London-based guitarist Christoph Denoth winningly mixes the
familiar and the unfamiliar. His account of Rodrigo’s evergreen
Concierto de Aranjuez, with the orchestra winningly conducted by the
veteran Spanish conductor Jesús López Cobos, is excellent, and can be
highly placed in a competitive field. But the real reason for buying
this well filled 68-minute album is the fill-ups. Lorenzo Palomo’s
Nocturnos de Andalucía is a substantial 40-minute, six movement piece
for guitar and orchestra, which revisits the same Spanish themes and
moods that so inspired the great late-19th century Spanish guitar
virtuoso/composers.
It’s attractive, without ever being too
comfortable, and backward looking. It’s very cleverly scored for large
orchestra, and will give much pleasure. There’s also a delightful
lollipop at the end, with Denoth’s own arrangement for guitar and
orchestra of Joaquín Malats’ Serenata Española—4½ minutes of pure joy. (David Mellor)
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